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8:00AM

3D Creating Headaches?

By PETER SVENSSON
The Associated Press

NEW YORK — From Hollywood studios to Japanese TV makers, powerful business interests are betting 3-D will be the future of entertainment, despite a major drawback: It makes millions of people uncomfortable or sick.

Optometrists say as many as one in four viewers have problems watching 3-D movies and TV, either because 3-D causes tiresome eyestrain or because the viewer has problems perceiving depth in real life. In the worst cases, 3-D makes people queasy, leaves them dizzy or gives them headaches.

Researchers have begun developing more lifelike 3-D displays that might address the problems, but they're years or even decades from being available to the masses.

That isn't deterring the entertainment industry, which is aware of the problem yet charging ahead with plans to create more movies and TV shows in 3-D. Jeff Katzenberg, CEO of Dreamworks Animation SKG Inc., calls 3-D "the greatest innovation that's happened for the movie theaters and for moviegoers since color."

Theater owners including AMC Entertainment Inc. and TV makers such as Panasonic Corp. are spending more than a billion dollars to upgrade theaters and TVs for 3-D. A handful of satellite and cable channels are already carrying 3-D programming; ESPN just announced its 3-D network will begin broadcasting 24 hours a day next month.

Yet there are already signs that consumers may not be as excited about 3-D as the entertainment and electronics industries are.

Last year, people were willing to pay an additional $3 or more per ticket for blockbuster 3-D movies such as "Avatar" and "Toy Story 3." But that didn't help the overall box office take: People spent $10.6 billion on movie tickets last year, down slightly from the year before. People went to the theater less, but spent more.

3-D TV sets were available in the U.S. for the first time last year, but shipments came in below forecasts, at just under 1.6 million for North America, according to DisplaySearch. Nevertheless, TV makers such as Samsung Electronics Co. and Panasonic are doubling down on 3-D and introduced more 3-D-capable models this month at the International Consumer Electronics Show in Las Vegas. Those models cost more than regular ones and require glasses, just like in theaters.

Research into how today's 3-D screens affect viewers is only in its early stages. There have been no large-scale scientific studies.

A study of 115 South Koreans watching 3-D screens close up found that 3-D caused more eyestrain than 2-D. The research prompted the Korean government to recommend that viewers take a break of up to 15 minutes after an hour of 3-D viewing. But that study was based on glasses with red and green lenses rather than the ones used in theaters and with TVs.

Based on an unscientific, online survey, the American Optometric Association estimates that 25 percent of Americans have experienced headaches, blurred vision, nausea or similar problems when viewing 3-D.

TV makers do their own testing, but don't publish results. Samsung warns on its Australian website that its 3-D TVs can cause "motion sickness, perceptual after effects, disorientation, eye strain, and decreased postural stability." The last part means viewers risk losing balance and falling.

"We do not recommend watching 3-D if you are in bad physical condition, need sleep or have been drinking alcohol," the site continues.

Nintendo Co. says children aged 6 or younger shouldn't play with its upcoming 3DS handheld gaming system with 3-D technology, because it might affect vision development.

3-D screens and glasses create the illusion of depth by showing different images to each eye. That simulates the way objects that are at different distances in real life appear in slightly different places in each eye's field of view.

That's enough for most of us to perceive a scene as having depth. But our eyes also look for another depth cue in a scene: They expect to need to focus at different distances to see sharply.

More specifically, our eyes track an approaching object by turning inward, toward our noses. Bring something close enough, and we look cross-eyed. 3-D screens also elicit this response when they show something approaching the viewer.

The problem is that as the eyes turn inward, they also expect to focus closer. But a screen isn't moving closer, so the eyes have to curb their hard-wired inclination and focus back out. This mismatch between where the eyes think the focus should be and where the screen actually is forces them to work extra hard.

"That causes at least part of the discomfort and fatigue that people are experiencing," says Martin Banks, an optometry professor at University of California, Berkeley.

The problem is magnified if the screen moves close to the viewer — exactly what's happening if 3-D viewing moves from the movie theater to living rooms to game gadgets like the 3DS.

There is at least anecdotal evidence of a growing problem. David Hays, an optometrist in University Place, Wash., says patients came in after seeing "Avatar," complaining of eyestrain or the inability to see the 3-D effect. He expects to see more as the technology spreads.

Roger Phelps, an optometrist in Ojai, Calif., says viewers who suffer the most with 3-D are those who have trouble getting their eyes to converge properly in normal life.

"If you tend to get carsick easily, you might be one of those," Phelps says.

Yevgeny Koltunov, a 39-year-old New Yorker, has gone out of his way to find theaters showing 2-D versions of such movies as "Iron Man 2" and "Alice in Wonderland." His daughter, 13, also refuses to see 3-D movies.

"It doesn't look all that spectacular to me," Koltunov says. "For the most part, they give me a headache and make me dizzy, by the end."

Moviemakers do hold back on 3-D effects to minimize eyestrain. "Avatar" avoided gimmicks such as objects suddenly appearing to jut out of the screen. Filmmakers also try to make sure that the most significant part of a scene, such as the lead actor's face, appear to be at the same distance as the screen. That way, the eyes are less confused.

But this approach also limits moviemakers' creative freedom, and it doesn't solve the eyestrain problem entirely.

Banks is working on a longer-term solution. He and his team at Berkeley's Visual Space Perception Laboratory have put together 3-D "glasses" — really, a desk-bound contraption — with lenses that accomodate the eyes' natural inclination to focus at different distances. He says the setup reduces eyestrain and mental fatigue from 3-D images, though it may not eliminate them entirely.

A reporter who tried the device found it provided a very lifelike illusion of a box coming toward him on a track.

At the University of Arizona, optical sciences professor Hong Hua is working on wearable, helmet-like displays that also allow the eyes to focus at different distances.

Commercial versions of these setups are at least several years away, and even then, are more likely to be professional tools for remote surgery or industrial design rather than consumer items.

Even further away is the prospect of live holograms, which could create 3-D images that could be viewed without glasses, from all angles.

Until then, Phelps recommends sufferers sit as far back as they can in 3-D theaters. Another solution: close one eye, or put a Post-It note over it like an eye patch. That way, 3-D goes back to being 2-D.
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Source Article
By PETER SVENSSON

8:00AM

Movie Monday - FIREPROOF

"Growing up, Catherine Holt always dreamed of marrying a loving, brave firefighter...just like her daddy. Now, after seven years of marriage, Catherine wonders when she stopped being "good enough" for her husband.

As the couple prepares to enter divorce proceedings, Caleb's father challenges his son to commit to a 40-day experiment: "The Love Dare." Wondering if it's even worth the effort, Caleb agrees-for his father's sake more than for his marriage.

But is it too late to fireproof his marriage? His job is to rescue others. Now Caleb Holt is ready to face his toughest job ever...rescuing his wife's heart."

Movie Rating: PG for Thematic Elements 
Content Review: Click Here
Movie Trailer: Click Here
Movie Website: Click Here

 

To see more films visit:
Movie Resources > Family Friendly Feature Films

Disclaimer: Please note that some of the films listed may be too intense or contain other content that would not be appropriate for younger ages. I am also aware that everyone has unique standards and guidlines for their own families. Please take the time to examine these films and I hope the "Content Review" links will be helpful. Lastly, in case anyone is wondering, no the movies are not listed in any particular order.

8:00AM

BluRay Disc Capacity

Article written by: Dan Beahm

I just burned 4 BluRay coasters (and am now out of BluRays since you can’t purchase inkjet printable BR disks at ANY store on the planet).  Image Burn was telling me “Cannot Write Medium - Incompatible Format,” but I wasn’t really sure what that meant.  What it should have said was “that file’s too big, dummy.”

Even though Adobe Encore shows the capacity of a disc as 25GB (which is also what’s printed on a BluRay disc), a BluRay disc can ACTUALLY only hold a little over 23GB (sometimes even less).  If your Encore project says anything over 23 GB is being used (the big blue progress/capacity  bar under “Disc Info”), you’re write is going to fail.  Believe me.  Anything near that 25GB capacity isn’t going to work.

Heed this advice.  It will save you a lot of time, money, and wasted discs.

I usually burn a BluRay .iso rather than burning straight to disc.  I then use ImgBurn to burn my BluRay later.  It makes it easier to burn multiple copies, and often circumvents problems with Encore.   Encore will let you burn an .ISO image up to 25GB, even though that image will not REALLY fit on a (single layer) disc.

Now you know.
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Source Article
Written By: Dan Beahm

8:00AM

Movie Monday - FACING THE GIANTS

"In his six years of coaching, Grant Taylor has never had a winning season. After losing their first three games of the season, the coach discovers a group of fathers are plotting to have him fired. Combined with pressures at home, Coach Taylor has lost hope in his battle against fear and failure.

However, an unexpected challenge helps him find a purpose bigger than just victories. Daring to trust God to do the impossible, Coach Taylor and the Eagles discover how faith plays out on the field and off. With God, all things are possible!"

Movie Rating: PG for Thematic Elements 
Content Review: Click Here
Movie Trailer: Click Here
Movie Website: Click Here

 

To see more films visit:
Movie Resources > Family Friendly Feature Films

Disclaimer: Please note that some of the films listed may be too intense or contain other content that would not be appropriate for younger ages. I am also aware that everyone has unique standards and guidlines for their own families. Please take the time to examine these films and I hope the "Content Review" links will be helpful. Lastly, in case anyone is wondering, no the movies are not listed in any particular order.

8:00AM

How Egypt Switched Off the Internet

Amid spreading protests, the Egyptian government has taken the incredible step of shutting down all communications late Thursday. Only a handful of web connections, including those to the nation’s stock exchange, remain up and running.

It’s an astonishing move, and one that seems almost unimaginable for a nation that not only has a relatively strong Internet economy but also relies on its connections to the rest of the world.

But how did the government actually do it? Is there a big kill switch inside Egyptian President Hosni Mubarak’s office? Do physical cables have to be destroyed? Can a lockdown like this work?

Plenty of nations place limitations on communications, sometimes very severe ones. But there are only a few examples of regimes shutting down communications entirely — Burma’s military leaders notably cut connectivity during the protests of 2007, and Nepal did a similar thing after the king took control of the government in 2005 as part of his battle against insurgents. Local Chinese authorities have also conducted similar, short-lived blockades.

The OpenNet Initiative has outlined two methods by which most nations could enact such shutdowns. Essentially, officials can either close down the routers which direct traffic over the border — hermetically sealing the country from outsiders — or go further down the chain and switch off routers at individual ISPs to prevent access for most users inside.

In its report on the Burmese crackdown, ONI suggests the junta used the second option, something made easier because it owns the only two Internet service providers in the country.

The Burmese Autonomous System (AS), which, like any other AS, is composed of several hierarchies of routers and provides the Internet infrastructure in-country. A switch off could therefore be conducted at the top by shutting off the border router(s), or a bottom up approach could be followed by first shutting down routers located a few hops deeper inside the AS.

A high-level traffic analysis of the logs of NTP (Network Time Protocol) servers indicates that the border routers corresponding to the two ISPs were not turned off suddenly. Rather, our analysis indicates that this was a gradual process.

While things aren’t clear yet, this doesn’t look like the pattern seen in Egypt, where the first indications of Internet censorship came earlier this week with the blockades against Twitter and Facebook, but when access disappeared, it disappeared fast, with 90 percent of connections dropping in an instant.

Analysis by Renesys, an Internet monitoring body, indicates the shutdown across the nation’s major Internet service providers was at precisely the same time, 12:34 a.m. EET (22:34 UTC):

Renesys observed the virtually simultaneous withdrawal of all routes to Egyptian networks in the Internet’s global routing table … The Egyptian government’s actions tonight have essentially wiped their country from the global map.

Instead, the signs are that the Egyptian authorities have taken a very careful and well-planned method to screen off Internet addresses at every level, from users inside the country trying to get out and from the rest of the world trying to get in.

“It looks like they’re taking action at two levels,” Rik Ferguson of Trend Micro told me. “First at the DNS level, so any attempt to resolve any address in .eg will fail — but also, in case you’re trying to get directly to an address, they are also using the Border Gateway Protocol, the system through which ISPs advertise their Internet protocol addresses to the network. Many ISPs have basically stopped advertising any internet addresses at all.”

Essentially, we’re talking about a system that no longer knows where anything is. Outsiders can’t find Egyptian websites, and insiders can’t find anything at all. It’s as if the postal system suddenly erased every address inside America — and forgot that it was even called America in the first place.

A complete border shutdown might have been easier, but Egypt has made sure that there should be no downstream impact, no loss of traffic in countries further down the cables. That will ease the diplomatic and economic pressure from other nations, and make it harder for protesters inside the country to get information in and out.

Ferguson suggests that, if nothing else, the methods used by the Egyptian government prove how fragile digital communication really is.

“What struck me most is that we’ve been extolling the virtues of the Internet for democracy and free speech, but an incident like this demonstrates how easy it is — particularly in a country where there’s a high level of governmental control — to just switch this access off.”
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Source Article

Image courtesy of Flickr user Muhammed Ghafari

8:00AM

Movie Monday

Parents often ask me, "What movies out there are ok for my kids to watch?" However, recommending movies is hard, because everyone has unique standards and guidelines for their own families, and every family has children of different ages.

So, instead of just reviewing and recommending films, I've also tried to provide the Movie Rating, and links for a Content Review article, Movie Trailer, and the Movie Website when I could find the information. You can find the list of films here on my blog at the "Family Favorite Feature Films" page under the "Movie Resources" tab.

Starting next week I'll be posting about one of the films every Monday! Some are "Christian films," and some aren't, some are new releases, some are old. If anyone has a film they have a question about, think should be added to the list, or would like to see a review about in general, please leave me a comment or send me a note via the contact page.

If you know of someone that would find this information to be helpful, you can use the links directly below to share this blog post via Twitter, Facebook, Email...etc.

Be sure to come back next Monday and let the Movie Mondays begin!!

8:00AM

Why Won't the Director Trust Me?

A Message to Editors

Written by Rob Ashe

"Why it's really hard for low budget directors to trust you"

“I think editors know so much about how to tell a story with pictures, … It’s such an important facet of becoming a film director to know how footage can be controlled and manipulated.”
Martin Scorsese

People starting out in the post production business as editors usually have the same complaint. They wonder why they are not being “trusted” with the material. They seem themselves as the person who will make the piece great. The running back who will run the football pass the goal line. Here is the problem with that mind-set.

Directing is REALLY hard.

Imagine if you spent the last ten years writing a script for a short film. You toiled over all the small details, the story, the characters arc. You raised money by maxing out credit cards. You borrowed from your parents and other distant and cold, mean relatives. You wrangled together a cast that may or may not have that one actor who is doing you a favor that could possibly land the film in a position to be seen. You find a way to make the props happen. You find a way to get your characters costumes which probably came from a thrift store. You shoot the thing at all hours of the night with a crew that probably doesn’t share your passion for the project because it’s your baby, it’s your life’s blood. It’s your chance and being somebody.

Now imagine that you have to hand over all your footage to someone sitting on a computer and they are the ones who get to decide whether or not your film is going to be any good?

Have a little empathy. Earn their trust by ensuring them that you are on their side. This is accomplished by always helping them get to where they need their piece to be.

I promise to only bold four more words.

The bottom line my young editing learner (huh?) is that you have to realize that it is not your piece. Your position on the project exists because either the director needs to execute their vision or they need you to interpret what was shot in a way that gets them to their destination. This is your job. If you want to direct. Go direct.

But make sure you hire an editor. I hear they are good at helping make your piece better. My bolding is complete.
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Article Source
Article by Rob Ashe



8:00AM

Should I Use an Editor? 

A Message to Directors

Written by Peter John Ross

Should you edit your own movie? This is a question I think needs to be asked more often. Some of the great directors never edit their own films and others do. Kevin Smith and Robert Rodriguez famously edit their own material, as does James Cameron, but he usually is on a team of editors with him. Steven Spielberg never edits his own films and relies on Michael Kahn as he has for 35 years with only 2 exceptions in his feature film career. Why would you want to work with an editor?

I cite as an example a single scene from Star Wars A New Hope from 1977. The scene where Luke and the droids are sitting with Ben Kenobi in his house. In the script and in the shoot, the scene started with R2D2 showing off the hologram of Princess Leia saying “Help Me Obi Wan Kenobi” and then they talk about the Clone Wars. Do you remember this scene? During post production, editor Paul Hirsch looked at this and told George “I don’t think this is right. You have the princess begging for help and saying her ship was under attack, and THEN you have Ben and Luke talking casually about his father and going on about historical things. I think we need to reverse this because once you see this hologram, they need to be in a hurry and get on with the story…” and George agreed.

As a writer/director, sometimes you are so close to the material you lose sight of how the audience will view it. Simple mistakes like this might slip past the goalie if you are creating in a vacuum. Paul Hirsch won an Oscar ™ for Star Wars by the way…Editing is the process of possibly fixing mistakes and re-motivating characters. It’s a 3rd chance, after the script (1st) and the shoot (2nd).

They call editing the Final Re-Write for a reason.
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Article Source
Article by Peter John Ross

12:54PM

Experience Studios Film Contest!

Contest Announcement: Click Here
Contest Rules: Click Here

8:00AM

Navigating History: Egypt

Western Conservatory is pleased to announce the Navigating History Project, a video series designed to teach history, geography, and current affairs to a young Christian audience. In order to maximize the teaching power of the series, the video episodes will be streamed live as they are produced to viewers who will have the ability to interact with the filmmakers as they travel to remote locations around the world. This “hands on” approach to the subject matter will provide viewers with as much of the unfiltered perspective of global travel as possible from the comfort of their own homes.

To accomplish this, small teams of young filmmakers will travel to those countries that are the best examples of cultural and historic influence to create short video episodes on a tight deadline. Unlike television shows where hosts are shot and edited by invisible camera teams, every aspect of production and travel will be visible to those watching from home, as every member of the team serves both on-camera and as production staff.

This first season of Navigating History will begin broadcasting from Egypt on the 1st of December, 2010. Egypt is an ideal location for the first season, since it has such a rich history and pivotal position in Middle Eastern politics. The wide array of topics that Egypt presents and the stunning visual backdrop that it provides makes it a perfect starting point, and it is likely that no other destination best encapsulates the vision for the project as a whole. More about the Egypt expedition.

Navigating History: EGYPT - WEBSITE